Ed Ou: Journey To The Promised Land

Ed Ou is a Canadian-Taiwanese photojournalist living and working in the Middle East, who covered his first big story during the Israel – Hezbollah conflict from southern Lebanon in 2006, when he was studying Arabic and International Relations in the Middle East.

Since then, he has worked with Reuters and the Associated Press covering diverse stories such as the ongoing conflict in Somalia, child soldiers in Uganda, California wildfires, faith and conflict in the Holy Land, and even fashion in New York City. He is also a featured contributor to Reportage by Getty Images.

Ed was selected by Photo District News as one of the 30 Emerging Photographers of 2008. His work has appeared in the New York Times, Los Angeles Times, Time Magazine, Guardian UK, and many other publications. He speaks English, French, Chinese, and Arabic.

I chose to feature Ed's portfolio titled Journey To The Promised Land, in which he documents some of the Falash Mura, and the surrounding controversy in allowing 40,000 Ethiopian Christians, with claims to Jewish ancestry, to immigrate to Israel.

Rajibul Islam: The Rohingya

Photo © Sheikh Rajibul Islam-All Rights Reserved
The Rohingya, a Muslim ethnic group of the Northern Arakan State of Western Burma, are denied citizenship and suffer persecution and discrimination in Myanmar. Hundreds of thousands have fled to Bangladesh. An estimated 25,000 unregistered Rohingya refugees are living in the Kutupalong makeshift camp in Bangladesh, and are being forcibly displaced from their homes, in an act of intimidation and abuse by the local authorities. Few have been granted refugee status. The majority struggle to survive, unrecognized and unassisted in Bangladesh.

Precious little on Sheikh Rajibul Islam's background is available on the internet, although he is listed on Lightstalkers as a Bangladeshi documentary photographer and film maker. Rajibul has also worked with Benjamin Chesterton of duckrabbit in Dhaka, where they have been working on a documentary about the effects of climate change on Bangladesh.

In my view, Rajibul and his powerful work belong to what I call the Bangladeshi "school" of photography...the dark and brooding style, which showcases social issues which need to be addressed. He's in good company: G.M.B. Akash, Sumit Dayal, Munem Wasif, Andrew Biraj, Tanvir Ahmed, Abir Abdullah, Monirul Alam, Shehzad Noorani, Saiful Huq Omi, Khaled Hasan, Murtada Bulbul, Mohammad Kibria Palash and Azizur Rahim Peu...and so many other talented photographers.

The Rohingya photo essay is showcased by the excellent Social Documentary. Social Documentary is a website for photographers, NGOs, editors, journalists, lovers of photography and anyone else who believes that photography plays an important role in educating people about our world.

Thanks to Benjamin Chesterton of the incomparable duckrabbit for bringing Rajibul Islam to our attention.

Peter Turnley: Haiti

Photo © Peter Turnley-All Rights Reserved
Much as been said and written about the horrific earthquake which befell Haiti and its aftermath, ranging from the compassionate to the cynical, with disparate opinions as to whether Zoriah Miller and Andy Levin are right to conduct photo workshops on the island at this time or not, including thoughtful entreaties from photojournalists like Asim Rafiqui not to consider Haiti a zoo.

Ignoring this debate for the time being, I choose to showcase Peter Turnley's powerful 50 picture photo essay on Haiti which was made three weeks after the event, when the Haitian people are restarting their lives as best they can.

Haiti: Between Life & Death is exclusively shown on The Online Photographer.

Quinn Ryan Mattingly: Puja

Puja from Quinn Ryan Mattingly on Vimeo.

Quinn attended the Foundry Photojournalism Workshop in Manali last summer, and photographed (and videographed) one of the rituals occuring right at the heart of this northern Indian town. Rajasthani families descend on Manali during the summer season looking for work and to escape the torrid heat of their state. Naturally, they bring their own rituals, which include daily prayers when some the devotees enter into trances, transported by the music and the chants. His multimedia essay merges stills and video, and brings you to the scene extremely well. I have seen the ritual first hand, and I must say that it's almost as if I was there again.

Quinn Ryan Mattingly is a documentary photographer currently based in Saigon, and most of his work aims at giving voices to those who are unable to be heard, and is working with former and current street children in Saigon.

Some of his other documentary stories are from Vietnam, and Nepal (as well as a book on Blurb). His photography essays can be seen here, and he also has a blog that chronicles some of his photography as well.